Man at War – Excerpt No. 58

“She’s beautiful,” Murphy managed to say after gulping.

“Thank you,” Marc said. “She’s a courtesan.”

Sometimes it was easier to work with the truth. Even if I have to glaze over the specifics.

“Like the Mata Hari?” The Sergeant asked.

That was a reference to a particularly popular courtesan in Paris, who was rumoured to be spying for Germany. Marc had seen her perform, and like Evelyn, she knew how to put on a show.

“Something like that,” Marc said.

a cinematic photograph of Mata Hari performing on stage in 1915, captured in a detailed and dramatic style, with soft focus and warm lighting, showcasing her exotic costume and expressive facial features, her skin a radiant olive tone, her dark hair adorned with intricate accessories, her eyes cast downward with a hint of mystery, the background a blurry blend of luxurious fabrics and dimly lit theater decor, the overall mood evocative of a bygone era of opulence and mystique, with a dominant color palette of rich jewel tones and deep shadows, the photography style reminiscent of early 20th-century portraiture, with a sense of nostalgia and timelessness.

Disclaimer: This novel is an work in progress and readers may encounter grammatical errors and inconsistencies. Please view this a draft and not a published work.



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