Tag: Cara Grey

  • The Van Helsing Conjecture – Excerpt No. 193

    The last time Clara died, she ended up in a room devoid of stimulus and bathed in blinding white light… it might have driven me batty

    Like the last time since falling into the bubble in space and time, her senses recovered at different rates. The sound filtering through her ears was like being underwater as a concert went on above. It was distorted, and as her mind reconnected with her vision everything before her was blurry… It’s like I’m spifflicated while trapped in a gallery of Impressionist art

    Drunken women with grey eyes and brown hair wearing a flapper dress, alone in a gallery filled with impressionist art but everything surrounding her is blurred. Clothing and styles appropriate for 1925 high class United States.

    Disclaimer: This novel is an work in progress and readers may encounter grammatical errors and inconsistencies. Please view this a draft and not a published work.


  • The Van Helsing Conjecture – Excerpt No. 192

    Clara? Say something?” Julia said.

    The voice inside her head distracted her and she nearly missed grabbing onto a pew to steady herself. Clara’s heart was beating wildly, her veins pumping adrenaline as quickly as she produced it… feels like I’m a hare running from the fox!

    Right by the door there was Jack holding his nose as a fresh dose of crimson poured out through his fingers… Why didn’t I question myself about him even being in this town?

    Clara had no way of knowing which way he entered nor if someone else was here. So she ran for the main doors and used her shoulder to open them hard. The heavy oak doors slammed against the wall but there was no one there to greet her.

    With her third option expended, Clara ran towards the sea… I might be able to sell myself in exchange for safe passage out of here

    It was hardly a desirable option but having hunters after her was a factor she never considered.

    “Horse… fucking… feathers,” Clara swore in between breaths.

    a warm, high-contrast cinematic photo of a young woman with piercing grey eyes, tousled brown hair, and a subtle smattering of freckles across her cheeks, dressed in a long, fitted coat with a fur-trimmed collar and a wide-brimmed hat, soliciting a sailor with a humble, determined gaze, hoping to secure passage on a ship docked in the misty, rugged background of a 1915 Canadian coastal mining town, with worn, weathered wooden planks beneath her feet, and rusty nautical ropes coiled nearby, captured in a shallow depth of field, with a warm, golden lighting that evokes a sense of nostalgia and longing, photography.

    Disclaimer: This novel is an work in progress and readers may encounter grammatical errors and inconsistencies. Please view this a draft and not a published work.


  • The Van Helsing Conjecture – Excerpt No. 191

    Clara shifted until her back was flush with the door and her bent legs pressed against the back of the opposing wall… that’s the doorknob being turned!

    As soon as the mechanism drove home, she pushed with her legs as hard as could. The door flew open and was shot out along with it.

    “Child,” Father Michael finished.

    What she did not see was the doors edge slamming into the face of the other hunter. Her back met the floor but was ready and launched herself into a barrel roll. Given her poor health, her body resisted every movement leading to a poor landing … better than none at all

    a dramatic, high-contrast cinematic photograph of a woman with piercing grey eyes and rich, dark brown hair disheveled and tumbling out of a worn, ornate confessional, set against a muted, earthy backdrop evoking the gritty, industrial atmosphere of a 1915 Canadian coastal mining town, her clothing a testament to the era: a long, flowing skirt and fitted bodice, adorned with intricate lace and ornate buttons, with a high-necked blouse and a fitted hat, styled in a manner reminiscent of the Edwardian era, with a sense of chaos and disorder, as if the very walls of the confessional are exhaling a deep, long-held secret, captured in a style reminiscent of early 20th-century cinematography, with deep shadows, soft focus, and a subtle, warm sepia tone.

    Disclaimer: This novel is an work in progress and readers may encounter grammatical errors and inconsistencies. Please view this a draft and not a published work.


  • The Van Helsing Conjecture – Excerpt No. 190

    T-h-a-t

    Her eyes went wide upon realising that someone was headed for the confessional. Like the dutiful good hunter he was, Father Michael was hunting with a partner… He’s the b(ait)—

    B-e

    “Clara?” Julia called out.

    The voice may as well have been a gunshot in the night. Her mind came alight, focusing on the source if somehow came from every direction. It may as well have been yelled down from Heaven by God

    M-y

    Her eyes shot open, and nothing changed other than her awareness of the situation. If she were the other hunter, she would barge as the Father was speaking to catch her prey unaware.

    A cinematic, high-contrast photograph of a distressed woman sitting in a dimly lit, ornate confessional booth, grasping her chest with a mixture of fear and anxiety etched on her pale, heart-shaped face, her brown eyes wide with alarm as if a loud, jarring noise has awakened her from a state of introspection, her raven-black hair styled in an updo adorned with a few stray, curly tendrils framing her forehead, wearing a long, dark grey, high-neckline wool coat with a fitted, floor-sweeping skirt, and a crisp, white, lace-trimmed blouse with a high collar, all evocative of the conservative, practical styles of a 1915 Canadian coastal mining town, the scene illuminated by a faint, warm, golden light seeping through the wooden latticework of the confessional, casting deep, mysterious shadows on the walls behind her.

    Disclaimer: This novel is an work in progress and readers may encounter grammatical errors and inconsistencies. Please view this a draft and not a published work.


  • The Van Helsing Conjecture – Excerpt No. 189

    Clara closed her eyes and let her jaw hang loosely. It was an old trick that hunters used to further focus their hearing. As an angel she could pick up hearts beating and whispers behind closed doors. As a human there was nothing—

    W-h-o

    Time appeared to stretch on as he spoke. In between every letter there was another sound, dull and brief. Wait. That’s not a single sound

    W-o-u-l-d…

    The first part was heavier, as though striking the bass drum. Whereas the other was closer to tapping on a snare drum. At this speed they were separate and distinct, but the cadence between these two sounds was brief, and the repetition just as defined…

    A woman sitting at a confessional, closing her eyes and listening intently as something dark approaches. Looks tired, worn, and very much the worse for wear. Clothing and styles appropriate for 1915 Canadian coastal mining town.

    Disclaimer: This novel is an work in progress and readers may encounter grammatical errors and inconsistencies. Please view this a draft and not a published work.


  • The Van Helsing Conjecture – Excerpt No. 188

    “Ask Reverend Mother Augustine…”

    He was either fishing for information or genuinely had no idea. In a way, Clara was curious to see how far this reality differed from hers. Still, it was notable that this man was not interested in the bombshells she was dropping.

    Even if what he said was true, any hunter worth their salt would ask where all her knowledge of The Tower came from… Not to mention my grasp of Latin

    The limits of the human body were something that Clara was no longer accustomed to. She had been something other than human much longer than she had lived as one.

    a cinematic, high-contrast black-and-white photograph of a worn and weary woman sitting in a dimly lit, ornate confessional, its rich wooden tones and intricate carvings evoking a sense of nostalgia and secrecy. Her brown hair is disheveled, framing her pale, heart-shaped face, with prominent cheekbones and a pointed chin, and grey eyes that appear sunken, red-rimmed, and heavy with fatigue. Her skin has a warm, golden undertone, weathered from time spent outdoors in the harsh Canadian coastal mining town environment. She's dressed in attire fitting for 1915, with a high-neckline, long-sleeved blouse, and a long, dark skirt, all slightly tattered and faded, conveying a sense of hardship and desperation. The atmosphere is somber, with shafts of soft, diffused light peeking through the confessional's latticework, casting eerie shadows on her face, and emphasizing the emotional weight of her words.

    Disclaimer: This novel is an work in progress and readers may encounter grammatical errors and inconsistencies. Please view this a draft and not a published work.


  • The Van Helsing Conjecture – Excerpt No. 187

    “That cloistered school did not take students her age,” Clara interrupted. “She was old enough to start her training at The Tower.”

    The screen prevented her from gaining insight on his facial tics. For all she knew, he was sticking his tongue at her… Like I used to do during confessions as a child

    She did pick up on any changes in angle and distance. When his head got smaller and changed position, she concluded that Father Michael must have pushed his head in shock. Her response was clearly not something he expected… I doubt anything I’ve said so far has

    “Did you ever catch up with Drusilla?” Clara asked.

    The memory of that ancient vampire slicing open his neck and draining him dry came to mind. She was curious how much history had to change to be once again in his presence… I could certainly do without being a prostitute

    “Who is that?” Father Michael asked.

    “Ask Reverend Mother Augustine…”

    a dramatic, high-contrast, cinematic photograph of an ancient female vampire, with piercing green eyes, porcelain-like skin, and raven-black hair, dressed in intricately detailed, ornate, high-necked, long-sleeved, dark crimson velvet robes, adorned with gold accents, reminiscent of 1903 Atlantic Canada's Gothic Revival architecture, looming over a helpless male hunter, clothed in worn, earth-toned, cleric-inspired attire, with a gaunt expression, as she drains the lifeblood from his limp body, set against a dimly lit, mist-shrouded, eerie, misty, and mysterious atmosphere, evoking a sense of foreboding and ancient mysticism.

    Disclaimer: This novel is an work in progress and readers may encounter grammatical errors and inconsistencies. Please view this a draft and not a published work.


  • The Van Helsing Conjecture – Excerpt No. 186

    “You came out onto the courtyard when an old farmer brought me to the school,” Clara said.

    She remembered how furious Mother Superior was when Father Michael took an interest in her. The school was cloistered, even the chapel was located off the grounds to further reduce the chance of men being near their residences.

    “What if I told you that was Ada?” Father Michael asked.

    “For killing the ghoul?” Clara confirmed.

    That truth was revealed to her months ago when she encountered her sister, Ada, at The Grand. Her sister was too old to get the training opportunity Clara got, which was later exploited by Drusilla, twisting her sister until there was nothing left of the kind soul she knew.

    “So, you do—(remember)” Father Michael said.

    “That cloistered school did not take students her age,” Clara interrupted. “She was old enough to start her training at The Tower.”

    A young girl with an old farmer riding in a horse drawn wagon. Clothes are tatted, a small bag with her. They are entering a courtyard to a convent, with two old nuns waiting for hem. Clothing and style appropriate for 1903 Atlantic Canada.

    Disclaimer: This novel is an work in progress and readers may encounter grammatical errors and inconsistencies. Please view this a draft and not a published work.


  • The Van Helsing Conjecture – Excerpt No. 185

    Clara often forgot to add the title at the end. She was infamous for adding them a second or two after it ought naturally to be used. She would often cut off staff who were about to chastise her for the slight.

    That mannerism repeated and the familiarity of that voice permitted her mind to make a logical leap. The reason why she could not initially place the voice was because this person had died at the dawn of the Twentieth century.

    “Father Michael?”

    “Where do you remember meeting me?” Father Michael said without confirming it was him.

    a moody, high-contrast, black and white photographic portrait of a young girl, around 12-14 years old, dressed in a traditional 1903 Atlantic Canadian nun's habit, complete with a white coif and black veil, standing solemnly beside a freshly dug grave, surrounded by lush greenery and overcast skies, with a weathered, grey granite tombstone bearing the inscription 'Father Micheal' in elegant, cursive script, the girl's hands clasped together in prayer, her pale skin and delicate facial features illuminated by a soft, diffused light, her brown eyes cast downward in reverence, as if mourning the loss of the departed father figure, the overall atmosphere exuding a sense of melancholy and reverence.

    Disclaimer: This novel is an work in progress and readers may encounter grammatical errors and inconsistencies. Please view this a draft and not a published work.


  • The Van Helsing Conjecture – Excerpt No. 184

    Veni ad scholam in Pompeiano,” Clara replied. (I went to school in Pompeii.)

    “Illa civitas igne et cinere sepulta est?” The father asked. (The city buried by fire and ash?)

    Pars urbis Romanae manet. Propositum peculiare est curvis geminae scalae…” (A portion of the Roman city remains. This structure features a peculiar set of winding twin staircases…)

    “You can’t possibly know that,” the father began before belatedly adding. “Cl—Child.”

    Clara often forgot to add the title at the end. She was infamous for adding them a second or two after it ought naturally to be used. She would often cut off staff who were about to chastise her for the slight.

    Photograph of a large hall inside a tall circular tower. The inside is white, ornate, children in nun uniforms are moving about on the main floor. Several levels are visible, connected through two interwoven circular staircases.

    Disclaimer: This novel is an work in progress and readers may encounter grammatical errors and inconsistencies. Please view this a draft and not a published work.


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