Tag: Writing

  • Man of War – Excerpt No. 366

    This show of force for Drusilla, was to humiliate Susanna. It dawned on him that there must have been other sites where this ritual could be held. It was only logical, given humanity’s penchant for war, and mother nature’s proclivity for destruction.

    This location was chosen specifically to torment Susanna. Drusilla must have been the one who gave the Contessa the task of ending his life. However, she swayed the council to spare him… she must pay the price for failure and insubordination

    I’d do it again,” Susanna confessed to him.

    A young woman in a formal gown restrained in a pillory. Located in a dark cave lit by torches, with a stone altar, and a large well filled with blood.  Scene and clothing appropriate for the 16th Century France.

    Disclaimer: This excerpt from Man of War is currently in development. There may be typos, errors, omissions, inconsistencies and so forth.


  • Man of War – Excerpt No. 365

    Marc saw himself making love to Susanna, but the imagery was shown from her point of view. The sight of those breasts moving in unison to his trusts had the desired effect.

    A rush of blood made his little soldier throb. Drusilla responded in kind, approaching him slowly, as a wolf stalks its prey. She grabbed him by the crotch and fondled him until he was as hard as an anvil.

    “He’s not very loyal,” Drusilla huffed. “Shall I take him now?”

    “If that is your wish,” Susanna said before bobbing a rigid curtsey.

    A young lord dressed in formal clothing teased by a blonde wearing a white ritualistic gown.  Located in a dark cave lit by torches, with a stone altar, and a large well filled with blood.  Scene and clothing appropriate for the 16th Century France.

    Disclaimer: This excerpt from Man of War is currently in development. There may be typos, errors, omissions, inconsistencies and so forth.


  • Man of War – Excerpt No. 364

    I’m here for you,” Susanna said.

    At that moment, he spotted the predator lurking behind Drusilla’s eyes. He had seen it before in soldiers who were too eager to fight. Those who thirsted for blood and carnage because it made them feel something… She loves to play with her food

    You don’t know the half of it…” Susanna said. “You need to play her game and appear enraptured by her beauty.”

    A young lord dressed in formal clothing being approached by a blonde wearing a white ritualistic gown. The blonde has the eyes of a predator, a cruel appearance makes the man feel like prey.  Located in a dark cave lit by torches, with a stone altar, and a large well filled with blood.  Scene and clothing appropriate for the 16th Century France.

    Disclaimer: This excerpt from Man of War is currently in development. There may be typos, errors, omissions, inconsistencies and so forth.


  • Man of War – Excerpt No. 363

    “At least he’s pretty…” Susanna said to throw off her opponent.

    The woman wearing the white robe approached him, and Susanna backed away instinctively. There was raw, animal magnetism to this creature, the veritable embodiment of a Roman goddess.

    He sensed that Drusilla was humming for more than entertainment. The longer he faced this Roman beauty, the more she became the focus of his world. That remained true until an opposing force lifted the veil over his head.

    I’m here for you,” Susanna said.

    A young lord dressed in formal clothing being approached by a blonde wearing a white ritualistic gown. There was raw, animal magnetism to the woman, the veritable embodiment of a Roman goddess. The sensed that the woman was humming for more than entertainment. Located in a dark cave lit by torches, with a stone altar, and a large well filled with blood.  Scene and clothing appropriate for the 16th Century France.

    Disclaimer: This excerpt from Man of War is currently in development. There may be typos, errors, omissions, inconsistencies and so forth.


  • Man of War – Excerpt No. 362

    “So, this is the soldier?” Drusilla asked, in a voice that was purposefully formal. “The one who’ll help us wage war against The Tower?”

    He had no idea what The Tower was, let alone why they were at war with it. In truth, only being told what he needed to know certainly suited his role as a soldier though… That explains why they were interested in me after they learned of my victory against Barón

    That’s not what I have in mind for you,” Susanna said from the inside of his head.

    “At least he’s pretty…” Susanna said to throw off her opponent.

    A humanoid oversized deathcap mushroom being kept in the dark and surrounded by excrement, dressed in formal clothing. Located in a dark cave lit by torches, with a stone altar, and a large well filled with blood.  Scene and clothing appropriate for the 16th Century France.

    Disclaimer: This excerpt from Man of War is currently in development. There may be typos, errors, omissions, inconsistencies and so forth.


  • Man of War – Excerpt No. 361

    For Marc, it was like staring at a portrait done by a master painter. The level of skill and detail was beyond comparison. Yet, there was something unnatural, even if he could not articulate what it was… like neither breathing

    There was tension in the room, so thick that he would need his sabre to hack through it. At her request, he came unarmed, and in hindsight it was an odd way for a soldier to meet his maker.

    “So, this is the soldier?” Drusilla asked, in a voice that was purposefully formal. “The one who’ll help us wage war against The Tower?”

    Picture of a man looking upon two ladies dressed in formal gown. Located in a dark cave lit by torches, with a stone altar, and a large well filled with blood. The a stunning blond and sultry brunette are smile at one another, the scene eerily reminiscent of a painting, perfect but unnatural. Scene and clothing appropriate for the 16th Century France.

    Disclaimer: This excerpt from Man of War is currently in development. There may be typos, errors, omissions, inconsistencies and so forth.


  • Man of War – Excerpt No. 360

    These key points for observation did not apply to Susanna or Drusilla. Marc guessed that both of them were alive today because they mastered hiding their thoughts and emotions behind an impenetrable mask. However, it was chilling to observe these two women, who would gladly flail the skin off the other’s bones, and act as though this was a Sunday social engagement.

    They stood a dozen paces from each other, as though frozen in time, while they stared the other down. Susanna wore a smile, and outwardly it appeared to be warm and bubbly. However, Marc had seen her truly smile and it looked nothing like the one she wore.

    A dramatic, high-contrast cinematic photograph of a ravishing Spanish courtesan, with dark, luscious brown hair cascading down her back, standing dominantly over a fragile, porcelain-skinned blonde, bound by worn leather straps to a cold, damp stone wall, her struggles and fear palpable. The dungeon, dimly lit by flickering torches, is characterized by rough-hewn stone walls, weathered wooden beams, and a sense of foreboding. The courtesan's attire is a lavish, velvet-trimmed Renaissance-inspired gown in rich, jewel-toned reds and emerald greens, with intricate lace and ornate gold accents, while the blonde's flowing golden locks spill around her, her delicate features and alabaster skin a stark contrast to the dark, ominous surroundings. The photography style is moody and evocative, with heavy use of chiaroscuro and a sense of cinematic grandeur, evoking the opulence and mystery of 16th Century France.

    Disclaimer: This excerpt from Man of War is currently in development. There may be typos, errors, omissions, inconsistencies and so forth.


  • Man of War – Excerpt No. 359

    Marc had to admit that reading people was never one of his strengths. Anyone could figure out that someone was mad when they flew off the handle. However, it proved challenging when they teetered on the edge of insanity.

    Still, there were clues, such as erratic movements, a predatory stare, clenched jaw and fists. One simply had to observe their breathing, perspiration, and heart rate.

    The last three were key, because these were predominantly autonomous responses. Few were able to prevent the veins on their forehead from bulging. Hunters were amongst the few who could consciously control their autonomous functions, and that was why they were dangerous.

    A dark, moody, and atmospheric photographic portrait of a raven-haired, olive-skinned Spanish courtesan, her eyes sunken, and her gaze distant, conveying a sense of madness, dressed in a lavish, heavy, velvety red dress with a tight corset, layers of lace, and intricate golden embroidery, set against a dimly lit, ornate, and richly textured stone wall, with flickering candlelight casting eerie shadows, transporting the viewer to 16th Century France, with lush, heavy drapery and tattered fabrics subtly hinting at the courtesan's fragile grip on reality, her full lips curled into a faint, enigmatic smile, and a single, delicate, pearl earring dangling from her left earlobe, as if suspended in a moment of quiet desperation.

    Disclaimer: This excerpt from Man of War is currently in development. There may be typos, errors, omissions, inconsistencies and so forth.


  • Man of War – Excerpt No. 358

    “Vampires may have a society, but it’s anything but civil.”

    It was said that vampires were above all of that. Instead of being overt, they plotted and schemed, which was something a man of war, such as himself, abhorred.

    “I preferred to see an enemy coming,” Marc said as the image of that encounter between Susanna and Drusilla crystalised in his mind.

    “Drusilla’s plans could play out over millennia,” Marc said. “God help those who got in the way…”

    Nigh shot of a beautiful blonde female vampire writing using a quill and ink, plotting out something that will take place over thousands of years. On the table she is writing there are figurines representing enemies, some have been toppled, others are surrounded by figurines remarking allies. While the settings are lavish and palatial, the mood is dark and foreboding .Scene and clothing appropriate for the 16th Century France.

    Disclaimer: This excerpt from Man of War is currently in development. There may be typos, errors, omissions, inconsistencies and so forth.


  • Man of War – Excerpt No. 357

    The life of a soldier was straightforward. The enemy was clearly identifiable, and gunfire was a definite sign of aggression. Along the same lines, allies were easily recognised by their uniforms.

    “Vampires may have a society, but it’s anything but civil.”

    Immortals tended to get bored and had excess time to plan out elaborate plans for revenge. As a human, if Marc had a problem with someone, they would exchange words. If all else failed, there were duels that resolved any disagreement… permanently

    A dramatic, low-key lit, cinematic photograph of a mortally wounded gentleman, clad in ornate, lace-trimmed, black and gold attire, typical of 16th Century French nobility, lying on the grassy, dew-kissed grounds of a misty, early morning duel site, his eyes wide with shock, his face pale and clammy, a crimson stain spreading rapidly across his white shirt, his rapier lying nearby, its hilt glinting faintly in the soft, morning light. In the background, twenty paces away, his opponent, a tall, dark-haired, stern-faced figure, stands frozen, his right hand still grasping the smoking pistol, its barrel wispy with fog, his left hand clenched into a fist, his attire a somber, dark-colored contrast to the fallen gentleman's, amidst a backdrop of majestic, centuries-old trees, their branches shrouded in mist, the atmosphere heavy with tension and foreboding.

    Disclaimer: This excerpt from Man of War is currently in development. There may be typos, errors, omissions, inconsistencies and so forth.


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